A new kind of alchemy

A few months ago I had the pleasure of shepherding a group of excitable seven-year olds around the Ashmolean Museum in Oxford. The highlights of our trip, according to the consensus view, were Guy Fawkes' lantern, a mummified cat from ancient Egypt and the contents of our packed lunch. So when a glass case of Eastern porcelain caught my fancy, I knew I was going out on a limb. There was a typed notice inside the case that particularly intrigued me: 

East and West: a difference of opinion
In the West an object is considered more beautiful and valuable if it is in perfect and original condition. Contrast this with the Far East where imperfections and repairs can be considered to enhance the beauty and significance of ceramics. The dish [below], showing the rising moon, has been mended with gilded lacquer. The gilding draws attention to the restored area. A Western mender or restorer would have aimed to create an invisible repair.

Porcelain dish, Arita, Japan, 1600-1699 
The rim has been repaired with gilded lacquer using a technique known as maki-e