The seductive fairytale

Review: Pretty Woman (1990)

I have been indulging myself this week. My husband was away at the weekend so I sat down to watch one of my favourite, feel-good films: Pretty Woman. For two happy hours, my teenage years of 1990 - the year the film was released - came flooding back. The soundtrack alone transported me to a wistful era of adolescent heartbreak, experimental outfits, thick eyebrows and endless daydreaming. At the time, my family lived in Oman and I vividly remember cruising along desert roads in our 4x4, watching the goat herds at work, with Wild Women Do belting out from the tape-deck. 

I confess that I saw the film at the cinema three times - twice

Pretty Woman made Julia Roberts a star 
© Featureflash | Dreamstime.com

with friends and once with my mother!  Evidently I was not alone: the film was one  of the highest-grossing romantic comedies in history. When I sat down to watch it yet again on Saturday night, I feared that I might have outgrown this Hollywood fairytale, but no! I was caught up in its charm once more, delighting in a script I knew embarrassingly well ("I'm a safety girl... I appreciate the whole seduction thing you've got going on here, but let me give you a tip: I'm a sure thing" etc). 

Time travelling

Hidden in a dark corner of our kitchen was a time capsule disguised as a milk carton. We discovered it behind a cupboard a few weeks ago when we ripped out the old kitchen as part of our house renovation project. It took some dexterity, but we managed to fish out a photo of the house's previous owners with their first child, particulars about the house sale and some newspaper pages from November 2002. The capsule had been collecting dust for more than 10 years, waiting patiently to deliver up its cache to a citizen of the future.

Remember Angus Deayton's fall from grace?

In the grand scheme of things, a decade is not a long stretch of time, and yet the front page of The Telegraph on November 3, 2002, spoke of a distant past. In personal terms, this was the era of my youth, pre-offspring, newly married and still wrapped up in my career. On the front page, Victoria Beckham had just escaped a foiled kidnap plot, while Angus Deayton, host of the news quiz Have I Got News for You, faced public disgrace.

More significantly, Saddam Hussein was still in power and - as The Telegraph reported on that day - he was allegedly instructing his security officials to bump off Iraqi opposition leaders in Britain, with the help of Libyan leader Col Muammar Gaddafi. Strange to think that the last decade has been dominated by these two men and their different legacies. Efforts to quell their regimes have re-shaped the Middle East and altered the course of so many lives.

Our milk carton ran the gamut of human experience - its cargo included personal, public and geopolitical stories. But for all their prominence in 2002, at least two of those stories have become less important with time. As author M. L. Stedman writes in her novel, The Light Between Oceans:

"Years bleach away the sense of things until all that's left is a bone-white past, stripped of feeling and significance."

So we pass away and time kicks over the traces. On the face of it, it is a depressing thought, but there is also something liberating about our inconsequence. What most of us achieve (or don't achieve) during our little lives is largely irrelevant. It took a dusty old milk carton to remind me that I should worry less about future accomplishments and more about enjoying the moment in all its transience. 

We are planning to deposit a time capsule behind the cupboards in our new kitchen. Does anyone have any ideas as to what to include in the capsule? Let me know in the comments box.

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"I found A Sister for Margot thoroughly absorbing. The story had all the elements to keep me gripped: family saga over three generations; wartime background; strong characters; different locations and a mystery in the background that ties the story together." - Amazon review

I would welcome more reviews of my book on Amazon.co.uk or Amazon.com!

Bath-etic tragedy

Hermaphrodite Mum

Three kids and a single mother

Last week I made the mistake of throwing away the bath toys, a ruinous act that prompted my six-year old son to say he could never forgive me. The drama that ensued contained elements of a Greek tragedy: mother-son ructions, moral failings, hysterics and even some soul-searching. Who would have thought that a string-bag of decaying bath toys could have sparked such a crisis? Such are the vicissitudes of family life. One minute it's plain sailing and the next you are caught in the eye of the storm.

Reprieved at the last hour

It all started with a spot of belated spring cleaning. In a rare fit of enthusiasm, I went through the house like Kim and Aggie on speed. Jigsaws were dispatched to Oxfam, wardrobes were ransacked for old clothes and dogeared drawings from school 'mysteriously' found their way into the recycling. 

So far so good. Then my tyrannical eye alighted upon the bag of bath toys, each covered in a veneer of black mould. Middle child (my son) barely noticed them anymore and the mould, I decided, presented a health hazard to Non-walking toddler. Into the wheely bin went Thomas the Tank Engine, stacking cups, one puffer fish, a pink squirty tortoise and several yellow ducks.

Fast-forward to bathtime. Middle child was lying stretched out in the bath, refusing to wash himself while I rubbed Non-walking toddler dry.

"Mum, where are all the bath toys?" he asked languidly. 

"Oh, I threw them away. They'd gone mouldy."

"What?" He sat up.

"We'll get some more."

"You mean you threw away my squeezy Thomas the Tank Engine?" he wailed. "That was my favourite!"

"Darling, they were covered in mould! It wasn't even worth cleaning them."

"And what about Torty? Please tell me you haven't thrown away Torty!"

"Who?"

"The pink tortoise - that was my absolute favourite. I can't believe you've done this!"

Inevitably tears and lots of shouting (from him) followed... and persisted all the way until bedtime. Never mind, I thought as I switched off his light to the sound of distant sobbing under the duvet, he'll be over it in the morning.

Bathtime, day two, continued in much the same vein. He even muttered the immortal words: "I will never forget this, Mummy, not ever." On day three, he told me, "I can't believe what you have put me through." (See earlier reference to Greek drama.)

Needless to say, I was losing my nerve and sought advice from friends and family. One advised that next time I should "transition" the toys, in other words park them in a cupboard until their absence has gone safely unobserved. My mother advised, "Don't give in - you need to let him know who's boss." Hmm... 

Day four found me rifling through the wheely bin in the front garden, only to discover a now fetid bag of bath toys, coated in dead leaves and the entrails of the hoover bag. After half an hour of scrubbing them with hot water and Dettol, I returned them to the side of the bath. As soon as I picked Middle child up from school, I told him I had a surprise. His reaction was euphoric and he has been playing manically with the toys ever since. 

"Do you forgive me now?" I asked tentatively.

"Sort of."

"Sort of? After every thing I did to get them back..."

"Alright, keep your hair on, I forgive you," he said, giving me a magnanimous hug.

When I told my mother, she was outraged, but I still think I made the right decision. Knowing Middle child as I do, the purge of the bath toys would have become a stain on his childhood. I also had another (self-justifying) motive. By returning the toys, I showed Middle child that if you want something bad enough, and you are willing to persevere, you might just succeed. Not such a bad life lesson. What's more, Torty and Thomas lived to see another day. Now that's a happy ending.

Hermaphrodite Mum is a fictional creation of Emma Clark Lam

Previous posts by Hermaphrodite Mum:

Brother vs. sister

Growing Pains

Favoured chicks

Prehistoric parenting 

How Jeremy Irons saved us

Last week I encountered the actor Jeremy Irons in the flesh. With his slacks tucked into black boots and his thespian swagger, he was a man to capture an audience. What's more, he might just have changed my life for the better. You think I exaggerate? It started with a trip to the cinema to watch Mr Irons' documentary Trashed about the toxic effects of consumer waste. Afterwards, the audience had the chance to discuss the film with Mr Irons and the writer/directer Candida Brady. 

Jeremy Irons contemplates rubbish on the shores of Lebanon

Credit: Laurence Richards   © Blenheim Films

It proved an evening of contrast and emotion: stunning scapes of the natural world juxtaposed against visceral images of rubbish piled high on Mediterranean beaches, Vietnamese children deformed by exposure to Agent Orange and sea life crippled by the consumption of plastic. All of this coated by Mr Irons' mellifluous voice, a rousing soundtrack and the sensation that I had just witnessed something that would change my habits forever.

I like to think of myself as conscientious person - I recycle, I carry a foldaway shopper in my handbag and I wash my dishes with Ecover. However, I am not sure I have ever felt so deeply the importance of recycling or appreciated the scale of damage our society is inflicting on the natural world. A hundred years ago, human waste consisted largely of natural materials - wood, wool, paper - but now we are throwing away plastic at a gargantuan rate. Whereas natural materials break down rapidly, it can take centuries for plastic to decompose.

In the world's ocean gyres (areas with circular currents), hundreds of square miles have been transformed into a soupy mixture of saltwater and plastic. Inevitably sea creatures consume the plastic and suffer immediate effects, or more insidious declines in fertility. It is believed that killer whales (at top of the food chain) could die out in our lifetime. "I am sort of depressed about the sea," Mr Irons told us after the film, "in a big, big way."

Candida Brady and Jeremy Irons on the set of Trashed

Credit: Laurence Richards   © Blenheim Films

Bringing it closer to home, our excessive waste also threatens to have an impact on our own health. The film made a strong case against landfill sites and the use of waste-to-energy incinerators, some of which were shown to release cancer-causing dioxins into the atmosphere. Agent Orange - a powerful weedkiller used by the US during the Vietnamese war to destroy jungle cover - also contains the compound dioxin. The Vietnamese believe the chemical is responsible for high instances of genetic defects in areas that were sprayed. In a powerful scene from the film, Mr Irons stands in a home for some of the children affected, his eyes lambent with suppressed emotion.

At the end of the film, Mr Irons' voiceover declared that we were at a "tipping point". Still in a state of shock, I interpreted this as a negative development, but others in the audience saw room for hope. They were inspired by San Francisco's drive for zero waste, as well as recycling plants that have created new jobs and a way of managing our reliance upon plastic. A man sitting in the front row told us he worked in waste management and admitted he learnt more from the documentary than he had from working in the industry for 10 years.

The main thrust of our discussion post-film was how to change opinion, just as campaigners did with seatbelt-wearing and drink-driving. The European Union is currently looking at banning non-recyclable plastics, including the ubiquitous plastic bag, but grassroots support is also needed. Ms Brady is showing her film in schools, in the hope that our children will build a more environmentally conscious society. As for me? During a shopping trip at the weekend, I firmly rebutted all attempts to put my purchases in plastic bags. "Have you not heard about this film called Trashed?" I asked one bemused retailer.

Mr Irons - on whose celebrity Ms Brady intended to "hang" the film - said he got involved because he thought the subject was "terrible, but also curable". Let's hope we can find some alternative medicine before we tip over into terminal decline.

This post has been reproduced on the Trashed website.

Innocence at large

Review: The Innocents by Francesca Segal

As a mother, I slightly dread the teenage years. All that recklessness and rebellion to contend with, not to mention underwear over saggy jeans and raging hormones. A friend who teaches in a secondary school assures me that teenagers are endlessly fascinating. They see the world in a unique way and are constantly challenging their environment. Yes, fun for the dispassionate observer, but a bit of a trial for any parent obliged to witness her offspring's lovely experiment with liberty. 

Earlier this week I joined a Mumsnet webchat with Francesca Segal, author of the prize-winning novel, The Innocents. She described this tension between conformity and freedom as a universal conflict. "Navigating between social pressures and individual needs is one of the fundamental challenges of growing up." In her book, Francesca uses a close-knit Jewish neighbourhood in North London "to explore questions and dilemmas that face almost everyone, coming of age - independence versus security; one's own needs versus the needs of a community." 

The art of good lamp-making

People watching: 
Karin Willems, co-founder of Zenza

About seven years ago the renowned Dutch designer Li Edelkoort helped to kit out a restaurant in Paris' Galeries Lafayette. As part of her scheme, she chose to accent a modern, white space with Middle Eastern flair. Hammered brass lights were hung above the restaurant's tables, casting their shadowy patterns onto the tiled walls. A new trend was born: the lamps were featured in Harper's Bazaar and an explosion of interest followed.

Karin with her husband Hussein
and business partner Yasmina

The company behind those lights is a Dutch producer of handicrafts called Zenza. Last week I interviewed co-founder Karin Willems, who has just launched the company's newest store in Rotterdam. The company prides itself on crafting handmade home accessories, using oriental designs and artisanal techniques. It operates mainly as a wholesaler, but has two other stores in Amsterdam and Maastricht. 

About 18 years ago, Karin spotted the lights in a souk in Egypt - they were traditional lamps with closed bottoms for burning oil. "We made the design cleaner, more modern and easier to use with an electrical system," she says. The company's design mantra is to reinterpret objects of the past, giving them a more contemporary feel. The lamps have been Zenza's best seller ever since. Last year, Heineken even used them in an television advertisement to sell beer.

Zenza's lamps are crafted by hand in Egypt

Karin maintains that her company is not run on conventional lines, using business tools such as strategy and research. "I always follow my heart and rely upon my taste and intuition," she says. "That's who I am and how I do it... and I like having the right people around me." 

Not surprisingly, the company was forged out of a relationship: while Karin was visiting Cairo's souk 18 years ago, she met and married Hussein. At first, he wasn't keen to join Karin's fledgling venture in Amsterdam - he offered to help carry boxes until he found his own way. It turned out he had a gift for dealing with customers so he stayed on. Now he also helps Karin with her designs, often handling the more technical aspects.

The couple have a daughter and moved to Egypt three years ago so that she could grow up in two cultures. Unfortunately, their move coincided with the recent political upheaval. "In the beginning it was very exciting, adapting to a new culture," recalls Karin in a soft voice. "But it is a difficult time now and people are losing their businesses and there is all this sadness around us. Now I admit I am counting the days until we go back to Amsterdam." As an exporter, Zenza is not so affected by Egypt's troubles.

Workshops in India make wares out of old print blocks

The company has its own factory in Cairo and also provides microfinance to various workshops making its goods. "We didn't want to be everyone's boss," explains Karin. The workshops often repay Zenza's loans in six months and are able to hire more staff as required. The company also uses the workshop model in India to produce furniture made out of (sustainable) mango wood. 

Karin is committed to maintaining ethical standards and is "very confident" that Zenza operates on a fairtrade basis in Egypt, providing safe conditions for workers and paying good salaries. With a degree of honesty, she admits that it is harder to achieve such standards in India. "I am sure there is not child labour and I am sure the mango wood is not harvested illegally, but it would cost me so much time to find out more." Despite having an agent in India, keeping tabs on Indian suppliers is one of the challenges Zenza faces.

Zenza's lamps have caught the attention of designers

The company is also, to some extent, a victim of its own success. Demand for its lamps is outstripping its capacity to produce - many of its retailers in the UK are out of stock. Karin is ideologically opposed to mass production, but it can take months to train up new craftspeople. "Good things take time and I don't like it, but this is our reality. We don't want to compromise on quality." 

Remarkably Zenza seems to be weathering the slowdown in consumer spending, even bucking the trend in Rotterdam. Some of the local outlets for Zenza's products have been forced to close down, giving the company a unique opportunity to open its own shopfront without treading on any toes. With all this going on, you wonder how Karin ever gets time to rest. Although Hussein sometimes tells her that he doesn't want to hear about work for a while, she finds it hard to switch off. "Even on vacation, I see a new material, or I find a location for photo shoot," she says, laughing.

On paper, such squeaky clean credentials make for good marketing. During the interview, however, Karin's passion for craft and fair trade come across as genuine. It appears to be a peculiarly female success story: a design-winner bred out of intuition and generosity, rather than hard-nosed business nous.

UK suppliers of Zenza's products include John Lewis and Pomegranate Living with Style. Zenza's lamps also recently featured in Homes & Gardens magazine. Please note that I was not paid or incentivised in any way to write this article.